{"id":354,"date":"2012-07-14T03:27:36","date_gmt":"2012-07-14T01:27:36","guid":{"rendered":"http:\/\/273013.webhosting78.1blu.de\/akefeh\/?page_id=14"},"modified":"2021-07-17T20:34:48","modified_gmt":"2021-07-17T18:34:48","slug":"kohlezeichnungen","status":"publish","type":"page","link":"https:\/\/von-koerber.de\/en\/charcoal-drawings\/","title":{"rendered":"Charcoal drawings"},"content":{"rendered":"
\n
\n Uprising of the beaten I<\/a>\n
\"\"<\/div>\n Akefeh von Koerber: Uprising of the beaten\r\nLarge-format charcoal drawing, left part of a triptych, 1946\n \n \n<\/div>\n
\n Charcoal drawing: Revolt of the beaten II<\/a>\n
\"\"<\/div>\n Charcoal drawing: Revolt of the beaten II\n \n \n<\/div>\n
\n Pencil drawing for Uprising of the Beaten II<\/a>\n
\"\"<\/div>\n Pencil drawing for Uprising of the Beaten II\n \n \n<\/div>\n
\n Charcoal drawing: Revolt of the beaten III<\/a>\n
\"\"<\/div>\n Charcoal drawing: Revolt of the beaten III\n \n \n<\/div>\n
\n Akefeh von Koerber: Singing concentration camp prisoners<\/a>\n
\"\"<\/div>\n Akefeh von Koerber: Singing concentration camp prisoners\n \n \n<\/div>\n
\n Charcoal drawing: Woman giving birth<\/a>\n
\"\"<\/div>\n Charcoal drawing: Woman giving birth\n \n \n<\/div>\n
\n Charcoal drawing: Exhaustion after the escape<\/a>\n
\"\"<\/div>\n Charcoal drawing: Exhaustion after the escape\n \n \n<\/div>\n
\n Charcoal drawing: Refugee mother with dead child<\/a>\n
\"\"<\/div>\n Charcoal drawing: Refugee mother with dead child\n \n \n<\/div>\n
\n Charcoal drawing: Mother with child fleeing II<\/a>\n
\"\"<\/div>\n Charcoal drawing: Mother with child fleeing II\n \n \n<\/div>\n
\n Charcoal drawing: Mother with child fleeing I<\/a>\n
\"\"<\/div>\n Charcoal drawing: Mother with child fleeing I\n \n \n<\/div>\n
\n Charcoal drawing: Hope for help<\/a>\n
\"\"<\/div>\n Charcoal drawing: Hope for help\n \n \n<\/div>\n
\n Charcoal drawing: Man with horse<\/a>\n
\"\"<\/div>\n Charcoal drawing: Man with horse\n \n \n<\/div>\n
\n Charcoal drawing: Sitting woman<\/a>\n
\"\"<\/div>\n Charcoal drawing: Sitting woman\n \n \n<\/div>\n
\n Charcoal drawing: Portrait of Mrs. Naum<\/a>\n
\"\"<\/div>\n Charcoal drawing: Portrait of Mrs. Naum\n \n \n<\/div>\n
\n Charcoal drawing: Pensiveness<\/a>\n
\"\"<\/div>\n Charcoal drawing: Pensiveness\n \n \n<\/div>\n
\n Charcoal drawing: Two blind nuns after a bomb attack<\/a>\n
\"\"<\/div>\n Charcoal drawing: Two blind nuns after a bomb attack\n \n \n<\/div>\n
\n Charcoal drawing: Dying<\/a>\n
\"\"<\/div>\n Charcoal drawing: Dying\n \n \n<\/div>\n\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

During the Second World War, which she experienced in Germany from 1941 until the end, Akefeh Monchi-Zadeh discovered the technique of charcoal drawings, which she found particularly suitable for artistically processing the events and experiences she experienced. Everything that stood in such stark contrast to the mostly idyllic but always colourful world of Persian miniature needed powerful painting technique and large formats. The horror, the horrors, the nights of bombing, which she spent partly in the protective bunker, partly in the attic where she threw phosphorus bombs on the street, but also the hope of a common departure for a new, peaceful world inspired her paintings.
She often worked on miniatures and large formats in parallel. The contrast between the two forms of work accompanied her from now on throughout her life. She was never attached to special techniques, but to the content, which demanded suitable forms of expression.<\/p>\n","protected":false},"excerpt":{"rendered":"

During the Second World War, which she experienced in Germany from 1941 until the end, Akefeh Monchi-Zadeh discovered the technique of charcoal drawings, which she found particularly suitable for artistically processing the events and experiences she experienced. Everything that stood …<\/span> Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"open","template":"","meta":{"_crdt_document":"","footnotes":""},"folder":[],"class_list":["post-354","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","es","en","fr"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false},"fr":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/von-koerber.de\/en\/wp-json\/wp\/v2\/pages\/354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/von-koerber.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/von-koerber.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/von-koerber.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/von-koerber.de\/en\/wp-json\/wp\/v2\/comments?post=354"}],"version-history":[{"count":0,"href":"https:\/\/von-koerber.de\/en\/wp-json\/wp\/v2\/pages\/354\/revisions"}],"wp:attachment":[{"href":"https:\/\/von-koerber.de\/en\/wp-json\/wp\/v2\/media?parent=354"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/von-koerber.de\/en\/wp-json\/wp\/v2\/folder?post=354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}